“As at Copan, it was my business to prepare the different objects for Mr. Catherwood to draw. Many of the stones had to be scrubbed and cleaned; and as it was our object to have the utmost possible accuracy in the drawings, in many places scaffolds were to be erected on which to set up the camera lucida. Pawling relieved me from a great part of this labour. That the reader may know the character of the objects we had to interest us, I proceed to give a description of the building in which we lived, called the palace.

A front view of this building is given in the engraving. It does not, however, purport to be given with the same accuracy as the other drawings, the front being in a more ruined condition. It stands on an artifial elevation of an oblong form, forty feet high, three hundred and ten feet in front and rear, and two hundred and sixty feet on each side. This elevation was formerly faced with stone, which has been thrown down by the growth of trees, and its form is hardly distinguishable.

The building stands with its face to the east, and measures two hundred and twenty-eight feet front by one hundred and eighty feet deep. Its height is not more than twenty-five feet, and all around it had a broad projecting cornice of stone. The front contained fourteen doorways, about nine feet wide each, and the intervening piers are between six and seven feet wide. On the left (in approaching the palace) eight of the piers have fallen down, as has also the corner on the right, and the terrace underneath is cumbered with the ruins. But six piers remain entire, and the rest of the front is open.

The engraving opposite represents the ground-plan of the whole. The black lines represent walls still standing; the faint lines indicate remains only, but, in general, so clearly marked that there was no difficulty in connecting them together.

The building was constructed of stone with a mortar of lime and sand, and the whole front was covered with stucco and painted. The piers were ornamented with spirited figures in bas-relief, one of which is represented in the engraving opposite. On the top are three hieroglyphics sunk in the stucco. It is enclosed by a richly ornamented border, about ten feet high and six wide, of which only a part now remains. The principal personage stands in an upright position and in profile, exhibiting an extraondinary facial angle of about forty-five degrees. The upper part of the head seems to have been compressed and lengthened, perhaps by the same process employed upon the heads of the Choctaw and Flathead Indians of our own country. The head represents a different species from any now existing in that region of country; and supposing the statues to be images of living personages, or the creation of artists according to their idea of perfect figures, they indicate a race of people now lost and unknown. The headdress is evidently a plume of feathers. Over the shoulders is a short covering decorated with studs, and a breastplace; part of the ornament of the girdle is broken; the tunic is probably a leopard’s skin; and the whole dress no doubt exhibits the costume of this unknown people. He holds in his hand a staff or sceptre, and opposite his hands are the marks of three hieroglyphics, which have decayed or been broken off. At his feet are two naked figures seated cross-legged, and apparently suppliants. A fertile imagination might find many explanations for these strange figures, but no satisfactory interpretation presents itself to my mind. The hieroglyphics doubtless tell its history. The stucco is of admirable consistency, and hard as stone. It was painted, and in different places about it we discovered the remains of red, blue yellow, black, and white.

The piers which are still standing contained other figures of the same general character, but which, unfortunately, are more mutilated, and from the declivity of the terrace it was difficult to set up the camera lucida in such a position as to draw them. The piers which are fallen were no doubt enriched with the same ornaments. Each one had some specific [p. [911]]